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GLASS 2008
This
page shows some pieces of glass that have appeared in exhibitions in Pyramid
during 2008. Some are still available (In Nov 08) and marked 'available'.
Makers represented have included: Vic Bamforth, Stephen
Beardsell, Brian and Jenny Blanthorn, Malin Blomgren, Joe Harrington,
Desiree Hope, Ruth Lyne, Charlie Macpherson, Jo Mitchell,
Amanda Notorianni, Ronald Pennell, Colin Reid, Bruno
Romanelli, Caroline Scully
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Colin Reid R1444 cast optical glass
£4900 available |
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Colin Reid R1442 Medium Segment £2900 SOLD |
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Colin Reid R1448 with Gold Leaf £4400 |
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Colin Reid R1428 with lens £5490 available |
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Vic Bamforth 'Am I a cool cat or
what' 23cm tall, £850 |
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'This cat's so cool' 24x19cm £890 |
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'Atlantic Pilchards' £895 |
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'Pacific Pilchards 1' 14x13cm £595 |
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'Red Crab with lemon wedge' £795 |
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'The cool cats relaxed' £1050 |
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Colin Reid R1438 cast optical glass
£3995 available Nov 08

Stephen Beardsell Female Form
63cm tall £1200
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Colin Reid R1367 Lens Piece £5495 available Nov 08

Charlie Macpherson Dizzy Spiral
Bowl |
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RONALD PENNELL Toucan
Myth, overcased glass 17 x 20 cm high. Wheel engraved. £3900 available Nov
08

Amanda Notoriani
'Ammonite' |
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RONALD PENNELL Toucan Myth (reverse side),

Tall Pyramid, fused, cast, slumped, cut and
polished, opalescent mirrored glass , Brian and Jenny Blanthorn 25cm tall
£900 available
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VAL BESTWICK

So Near, So Far, Oil on Canvas £690, 60x60cm

Sketches from Morocco, Oil on Canvas £690
60x60cm

'Rythyms', (left picture) Oil on Canvas £970
100x100cm |
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.These were on the

What's New, Oil on Canvas £690, 60x60cm

Always, oil on canvas 60x60cm
£690

So Near So Far, What's New and Rolling Stone Oil on
Canvas £690, 60x60cm |
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walls in May 08

Castles made in Sand, Oil on Canvas £690

Sketches from Morocco, Oil on Canvas £690
60x60cm

Trio of Blues £690, Sketches from Morocco 2 £970
and Sketches from Morocco £690 |
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Rolling Stone, Oil on Canvas £690, 60x60cm

Sketches from Morocco 2, Oil on Canvas £970
100x100cm |
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View of Exhibition front room in May08 |
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Rear exhibition room with work by Charlie Macpherson
and Joanne Mitchell |
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Cabinet display - Joe Harrington, 'thawing ice' cast
glass and carved brick |
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Back to Top
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RONALD PENNELL
Professor RONALD PENNELL is one of Britain's most internationally celebrated
artists in glass working today. His ouevre spans a wide range of media
including bronze reliefs, medallic art, printmaking, kiln-cast sculpture in
glass and engraving on glass and metal. His works are in many important
public and private collections in the USA, Japan and Europe.
Much admired in the Czech Republic, in 1993 he was made an Honorary
Professor at the Academy of Arts, Architecture and Design in Prague and in
2001 he was appointed Honorary Professor of Glass at the University of
Wolverhampton.
In 2000 'Modern Myths, the Art of Ronald Pennell' was published to accompany
a major retrospective exhibition.
Ronald Pennell is also showing four diamond wheel engraved optical glass
blocks which feature a few of the artists favourite characters including
'Monty' the artists Jack Russell.
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COLIN REID
If I were to
identify a single thread that runs through my work it would be the
influence of nature. That is the source to which I return for
inspiration and fresh material for my work. Stone, weathered wood, sand,
all feature. I work in kilncast glass, using various moulding techniques
to make the forms and moulds in which I cast my glass. My current work is
in optical glass because I like its purity. Firings are long, three
weeks is typical, so I can get thickness and depth. When the piece
comes out of the kiln it is only the start of the making process.
There is much cold work to be done, grinding, polishing, and sandblasting.
The pieces evolve and change at this stage as I respond to what has come
out of the kiln. Chance plays its part. The tension between
what is planned and controlled and what is unexpected can be both creative
and disastrous. I don’t open the kiln if I am having a bad day.
The quality I am after
is elusive, impossible to describe, but I know it when I see it.
Colin Reid
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Top
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VAL BESTWICK
After a career as an art
teacher, Val Bestwick went back to college and graduated in 1991 at Herts
College of Art and Design. Since that time she has pursued her career as an
abstract painter, working in oils and exhibiting her work in her home
town of York but also in London, Cheltenham and several northern galleries.
In recent years she has had three successful solo shows in Oxford.
This exhibition is her
fourth at Pyramid Gallery in Stonegate and will include paintings that Val
has worked on over the last nine months. Some of these have been inspired by
a trip to Morocco in January, which Val says has taken her work in a new
direction. Whilst providing a new excitement and a new palette to explore,
the experience has provided a challenge to Val as she works hard to avoid
obvious motifs in her work, instead striving to reflect the spirit of the
place in the painting. The grace of the finished paintings bely the effort
that has gone into their evolution and the new work sits comfortably
alongside those paintings that continue her recurrent themes of eroding
landscape of which the artist says:
‘The magnificence of glacial erosion in Alberta,
Canada, the evidence of time passing in the faded frescos of Tuscany, the
colour and patterns of Morocco and the natural and man-made erosion
scars of the North York Moors, all combine to inform my paintings.
My interest in the marks
made in the landscapes and its tactile surfaces began about eighteen years
ago when I was a mature student studying for a fine art degree at St. Albans
College of Art and Design.
The initial starting point
for my work was Carlton Bank near Stokesley, where many sketchbooks were
filled and large-scale charcoal drawings made. From these evolved the
painterly language of textured layers scraped back to reveal the workings
underneath.
My interest continues with
studies made in the Canadian Rockies where signs of erosion are carved out
on a magnificent scale, some forming amazing pillars of rock strata, and
where glacial melt-water creates wonderful turquoise and emerald lakes.
The
changes of light, the soft focus of mountains under cloud, as well as the
continuing input from the North York Moors will be an inspiration for my
work for a long time.’
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to Top |
VIC BAMFORTH
Born in Hull,
East Yorkshire in 1952, Vic's first hands on with hot glass came about
during a part time evening course in hot glass in Buckinghamshire in 2000.
The following summer a piece of his work was selected for inclusion in the
V&A Museum's 'Inspired by' exhibition. This 'inspired' Vic to relocate and
pursue his interest full time at the International Glass Centre . Vic
graduated from the college in 2004 with a diploma in Glass Techniques and
Technology and an Advanced Diploma in Glass Design. He was awarded a
bursary from the Worshipful Company of Glass Sellers of London to assist
with study, and subsequently won the Plowden and Thompson award for the
'Best Interpretation of Glass Quality'.
Vic is
currently making his instantly recognisable pieces at the Red House Glass
Cone in Wordsley, Stourbridge after winning a scholarship to further
develop skills, techniques and creative ideas.
The basics
that drive his work are the dynamics of colour, movement, and the unique
properties and qualities of glass itself. Inspiration is drawn from
life’s experiences – people he has met, and the world around him.
The blown form has provided him with an ideal three-dimensional canvas to
carry expressive, figurative/non figurative content infused with a sense
of humour. Vic is a specialist in the Graal technique producing
one-off vibrantly painted pieces using high firing enamels (Paradise
Paints) from California. It is this work that is gaining Vic international
recognition and is becoming increasingly sought after by collectors
worldwide.
Vic’s work was
selected by the ZeST gallery, London to be exhibited along with Adam
Aaronson, Alison Kinnaird, Katharine Coleman and Layne Rowe at the annual
‘Sculptural Objects and functional Art’(SOFA) fair, held at the Navy
Pier, Chicago(November 2006). The ZeST gallery again selected Vic’s
work for SOFA Chicago in November 2007. This is the top show for
contemporary decorative and fine arts in the world.
Vic was also
selected by the Crafts Council to exhibit at ORIGIN-The London Craft Fair
at Somerset House in October 2007.
All
Vic's pieces are hand blown and this, combined with his own personal
approach to glass making, results in works that have been described as,
'beautiful, unusual, and unique.'
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STEPHEN BEARDSELL
Stephen has been involved in sculpture
for the past fifteen years. Specializing in glass for the past ten years. He
graduated from the University for Sunderland in 2001 with a bachelors
of Art degree in Glass, then went on to working in the glass department at
the university of Sunderland were he still works part time, He also works
for the national glass centre in Sunderland designing and making as part of
the hot glass teem.
Stephen completed a Masters of Art
degree in glass in 2006 at the University of Sunderland. Stephens’s
interests are in sculpture. His aims are creating glass and mixed media
sculpture that sits comfortably in a natural environment. His influences
mainly arrive from observations of the natural environment, seeds, plants
and how there grow and evolve and exists in the environment.
Stephens own studio is in the national
glass centre were he works building his glass sculpture using many different
techniques, such as hot glass, kiln glass and cold glass. He is currently
carving moulds out of graphite and building moulds from steel for his
sculpture for 2008.
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CHARLIE MACPHERSON
Charlie Macpherson creates unique pieces
of hand blown contemporary glass. His approach
balances the simplicity of his forms with more complicated use of line and
pattern.
He incorporates cane techniques in the
blowing process, which are enhanced by polishing to highlight areas of
interest. He enjoys designing work that invites the viewer to look more
closely at the intricate details, seeing more than at first glance.
Working with blown glass is
a very hand’s on experience, and the challenge has always been to make work
that uses the natural qualities of light, colour and transparency, creating
pieces that are both stimulating and aesthetic.
Charlie exhibits internationally and has
pieces in both private and public collections. As well as winning awards for
his work, he has completed commissions for a number of major UK
organisations.
Collections
Liverpool Museums and Galleries
2003
Anglo America, London
2002
Leerdam Glascentrum, Holland
2000 & 2002
Outline, Newcastle
1999
University of Sunderland
1999
Commissions
Shell Springboard Awards
2006 - 2007
Walker Gallery Liverpool, site specific
installation 2006
Livewire awards
2004 - 2005
CSU Business awards
2003 - 2004
Standard Life, Edinburgh, site specific
installation 2002
Royal Horticultural Society
‘Britain In Bloom’ awards
2002 - 2006
Encams recycling awards
2000 - 2002
Coats Crafts UK, site specific
installation Darlington
2001
Going for Green recycling awards
2000
NEA and British Gas ‘Partnerships in
Warmth’ awards 1999
Common Purpose, Sunderland
1999
International Institute for Research in
Glass, gift for Jiri Harcuba 1999
University of Sunderland, corporate gifts
Awards
Shell Livewire awards North West
Runner-up
2002
Shell Livewire awards Cheshire Runner-up
2002
Homes and Gardens award for most
innovative product @ Top Drawer 2001
Prince’s Trust new business award
2001
Harrogate Craft Trade Fair ‘Award of
excellence’
2001
Society of Glass Technologist’s glass
sellers student award, Short listed 2000
Pentagon Mercedes Benz award - Beatrice
Royal Gallery, Short listed 2000
Scholarship awarded to attend ‘Creative
Summit’, September 1999
Phoenix Hot Glass prize
1999
University of Sunderland, Outline prize,
1999
Experience
Presentation on
exhibiting for The Design Initiative, Liverpool 2006
Artist’s
presentation at The Lady Lever Gallery, Merseyside 2006
Presentation to new
Setting-Up-Scheme artists, Manchester 2006
Northlands Creative Glass,
Simon Moore master class
2005
Representative on
the Cheshire Artist Network Board
2004 – 2006
Director on the
Board of the Enterprise Agency, Chester 2003 – 2006
Judge for Shell Livewire Business Awards
in North West Region 2004
Judge for Shell Livewire Business Awards
in Chester
2003
Presentation for
Business Advisors Association (North West) 2003
Presentation
forEllesmere Port and Chester Business Networking Forum 2003
Artist in Residence, The World of Glass,
St Helens
2000 – 2002
International Glass Symposium, Leerdam,
Netherlands 1998 – 2002
Creative Summit, Sunderland
1999
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amanda
notarianni
Amanda Notarianni designs
and makes distinctive contemporary glass. Using traditional glass making
techniques she creates unique hand blown sculptural forms. Amanda
enhances her sleek free blown pieces using skilful cold working processes
such as cutting, carving and polishing to create surface patterns and
textures, which hold light and magnify reflections.
Initially inspired by
microscopic images of plankton, her work is now evolutionary, with each
piece informing the next.
“Molten glass is such a
dynamic material to work with. I really enjoy the challenge of working with
a material that continuously pushes me to develop skills and understanding.”
Amanda’s innovative ultra
modern pieces are hand made to commission with projects undertaken ranging
from public art commissions, to architectural lighting and one off
sculptural vessels. Amanda
exhibits internationally and has pieces in both private and public
collections.
Commissions
Silver
Lining – Monaco Boat Show
2007
De Beers,
USA and Japan – Bespoke pieces
2007
Walker Art
Gallery, Liverpool – Site-specific installation
2006
Bruntwood
Offices, Manchester – Site-specific piece for foyer
2006
Inspire
Nation, Liverpool – Works presented to Apple Computers, Nike
Weiden and
Kennedy, Ziba Design, Wired Magazine, Starbucks Coffee,
REI,
Yahoo, Mayor’s of Portland - Oregon, Seattle, and San Francisco.
2004
Princes
Trust - Business and Mentoring Awards
2003
Manchester
City Art Gallery Handling Trail - Interactive Display
2002
Key 103
Radio Station - Achievement Awards
2002
Standard
Life Buildings - Edinburgh - Site-specific Pieces
2002
Common
Purpose, Sunderland - Presentation Award
2000
University
of Sunderland - Awards for International Affairs
1999
University
of Sunderland - Honorary Doctorate Awards
1998
Public
Collections
Bolton
Museum
2007
Liverpool
Museums and Galleries
2003
Anglo
American Art Collection
2003
Leerdam
Glass Centre
1999
Sunderland
University
1998
State
Lamberk Chateau - Novi Bor, Czech Republic
1997
Awards
NESTA
Fellowship
2005 – 2008
Princes
Trust Highly Commended Business Award
2003 + 2004
Princes
Trust Award for Business Achievement in
2002
British
Craft Trade Fair Award of Excellence
2003 + 2004
Sunderland
University Award of Excellence
1998
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