Every month (or two), Allure! will feature
a different British jewellery designer with a special display on this page, in our
shop window and in a cabinet in the shop. Please
scroll down and Click
images to enlarge.
Picasso Stone pendant
Karen Thomas
Karen Thomas is a jewellery designer and maker, originally from the
Midlands, who has been living and working in York for over fourteen years.
She graduated from the Birmingham School of Jewellery (UCE) in 1998 with a
BA(hons) degree in Jewellery and Silversmithing. She has worked in a busy
trade workshop and taught jewellery making at a local college and school,
while also producing her own designs. She now concentrates solely on
creating her beautiful, wearable ranges of jewellery, limited editions,
one off pieces and commissions. She uses traditional jewellery making
techniques; mainly working in silver, sometimes in gold. She sells her
work through galleries across Europe.
“I
love the process of creating functional, wearable pieces of jewellery, be
it constructing a mount for an unusual stone or handcrafting a master,
making a mould and running off waxes in order to generate cast units so I
can produce ranges of silver jewellery that are affordable.”
“My
designs are inspired by the world around me. Whilst studying in Birmingham
many of my pieces echoed the city’s industrial past. Now in North
Yorkshire I take inspiration from the landscape and its colours. I am
particularly drawn to the natural forms of the dramatic North East
coastline. This is clearly evident in my Silver Shell Collection which
comprises four ranges created with solid silver castings made using moulds
of actual shells. Also the chunky claw set Pebble Collection which
celebrates the natural beauty of the shapes and colours of the seashore.
In contrast, living in the beautiful, historic city of York has also had
an impact on my work, some of my designs reflecting the shapes and forms
seen in the magnificent architecture.”
Yen Duong is the founder and designer
of Yen Jewellery. She remains uncompromising in her passion for distinctive
jewellery since establishing the company in 1996 and continues to uphold her
design ideals. By experimenting and reinventing her work, she maintains a
freshness and energy while retaining the essence that gives distinction to
the Yen Jewellery brand.
Yen has worked from her Bloomsbury
studio for 15 years, exploring jewellery beyond traditional conceptions
making her work exciting and rich in depth. She sells directly to her loyal
customers from her London studio through a range of prestigious exhibitions
and galleries such as Sotheby’s, The Goldsmiths’ Company, The Fine Art
Society and The Crafts Council. The Yen Jewellery collection has sold
through retails stores including Liberty of London, Selfridges and Harvey
Nichols.
Background
Yen won the Designers’ Award on
graduation from Sir John Cass in 1995 for her distinctive work and has
continued to be acknowledged throughout the industry for the outstanding
quality of her work.
Yen was born in Vietnam in 1973. She
came to England as a refugee in the 1980’s fleeing the conflict brewing
between China and North Vietnam. Her early childhood was spent in the
countryside of the Brecon Beacons in Wales. The rolling hills and sheep were
a far cry from the dangerous and courageous boat journey that took her and
her family to Hong Kong then on to Britain.
The Yen Jewellery collection offers a
sophisticated range of opulent and wearable jewellery, distinctive in style
with timeless appeal.
The innovative combination of moving
components creates tactile enjoyment surpassing mere visual aesthetic,
making the jewellery an ongoing sensual experience as the pieces adjust
exactly to the contours of the body.
...pictures do not do Yen’s work
justice, you have to see how the cunningly articulated silver and gold
shapes fall and move when they’re being worn.
Katrina Burroughs,
The Sunday Times.
Movement is a defining aspect of Yen
Jewellery. The tactile and playful nature of the jewellery creates an
intimate relationship with the wearer as it invites touch to understand the
design. The alluring sensation is achieved through the many articulated
elements and is incredibly comfortable to wear.
Bold and abstract sculptural forms are
at the heart of Yen Jewellery, each range cleverly combines multiple
repetitive elements. Beneath the seemingly chaotic façade of the designs
there is order. Each component has been meticulously considered and
designed. Organized chaos is a unique characteristic of the Yen Jewellery
brand.
Each piece is handmade with care and
finished with meticulous attention to detail. A selection of the designs is
made up of hundreds of repetitive handmade elements to form a single piece
of jewellery. The Molecule range for example uses a simple technique of
granulation to form each ball element; the wire is then treaded through
individual chain links for the same process to be repeated on the other end.
The pebble range is constructed with an extensive number of soldering joints
and hand selected casting grains to suit each design.
Discerning customers are drawn to the
contemporary designs that are handmade to an exquisite quality and finish.
The Yen Jewellery collection offers durable investment jewellery, designed
for those who desire unique and distinctive jewellery with a strong
identity. The collection offers pieces of differing complexity from each
range that are suitable to complete dramatic evening wear, distinctive
pieces to compliment professional attire through to easy to wear pieces for
all day every day.
Star Necklace
silver with gemstones £136.50
Silver
'Arc' earrings with amethyst £88.50
Silver 'Assymetrical'
stud earrings with opal triplet £49.50
Silver 'Assymetrical'
large earrings with pink tourmaline £66.50
JOHN & DAWN FIELD
from 7 Nov until 3 Dec 2011
John
Field and his wife Dawn are based in West Yorkshire, U.K. They met when
studying for their degrees at Wolverhampton Polytechnic in the mid-eighties.
John Field graduated with a B.A. Hons. degree in Three Dimensional Design
and Dawn with a B.A. Hons. Fine Art degree. They have collaborated and
worked together for most of the time since.
As well as working on their own individual pieces they work on a number of
different ranges together.
John’s work is individually designed and one-off. Natural colours and
materials feature prominently in all these pieces. Rich colours are
supplied by using exotic woods, amber, precious and semi-precious metals and
stones. These materials are chosen from all over the world. He enjoys
using a number of different materials on each piece to provide interest.
John often uses a dental laboratory drill to carve wooden jewellery.
This is a laborious process of attrition and it may take a number of weeks
to finish one piece. The aim is to produce intriguing designs with the
jewellery often being displayed on its own stand or concealed in its own
box. One piece, a pendant say, will open to reveal another, a ring or
a pair of earrings for example.
As a contrast to John’s one-off more abstract work, Dawn draws on her Fine
Art background and uses strong imagery in her jewellery. Over the years the
theme of mythical animals has reoccurred in Dawn’s work. Recently for
example, she has based some jewellery around the image of Pegasus.
John and Dawn also work on a number of other jewellery ranges together. The
asymmetrical metal range for example, involves a more fluid process of
composition and addition than say John’s wooden work. Textures in the form
of stencils are rolled into silver, which then has other shapes soldered
onto it. Rather than making matching partners, one earring will have a
vibrant, rich coloured stone attached and the other will have decoration in
the form of some brass loops
Debby Moxon and
Ian Simm trained at Sheffield achieving a BA(Hons) 3D
Design (Silversmithing and Jewellery) in 1981.
Established in 1982, designing and making
high quality designer jewellery, selling and exhibiting in some of the best
galleries and craft shops across the UK.
Each piece is unique and made by hand from
design to finish so production is limited.
Although well known for their titanium
jewellery, precious metals and stones, including opals, are used in additional
ranges and one off pieces
About Titanium
Debby has developed her techniques for
heat colouring titanium over the last 25 years. This process has evolved through
the exploration of various methods of texturing on, and interference with, the
surface of this fascinating, unusual metal.
A degree of chance is integral to the
colouring process, so each piece must be carefully considered. Ian's technical
knowledge and his expertise in precision cutting make possible a level of
excellence for which they are known.
Debby has recently been awarded Arts
Council funding for research and development into the heat colouring of titanium
Silver rings with peridot, tourmaline, citrine, blue topaz, iolite
Silver heart ring and bracelet
gold
plated silver concave pendant and studs with pearl
gold
plated silver concave pendant and studs
Allure! for July and August 2011 features the work of....
Fi MEHRA
I trained as a diamond mounter at the School of Jewellery in
Birmingham, and once qualified began my career at a jewellers in Bath. I later
moved to France for a while, which is where I met my husband, Paul. We returned
to England and I found employment at a jewellery workshop in Sussex, where I
gained much valuable experience. In 1992 we moved to Wiltshire, and I set up my
own studio.
I love making jewellery and I hope that this shows in my work. Much of my
inspiration comes from the Wiltshire countryside, and especially from Salisbury
Plain and the wonders of the stone circles at Stonehenge and Avebury. I am drawn
towards the ancient jewellery that has been revealed in Wiltshire burial mounds,
and also to the work of Egyptian, Roman and medieval times. I hope I express
similar beauty, excitement and craftsmanship in my own work.
Allure! for May
and June 2011 features the work of....
KATHARINE YELLAND
Katharine studied jewellery making as part of an Art and Design course at
York College and then with York jeweller and enameller Rachel Gogerly, with whom
she worked as a workshop assistant.
In 2000 she worked as assistant to and gained valuable experience from Robert
Feather and now sells her own range of jewellery through Pyramid Gallery.Katharine’s eye-catching jewellery is inspired by organic forms,
observing nature in its skeletal state, then breaking it down to its essence.
She uses a variety of finishes - polished, barelled, satin and oxideised - to
create feminine and delicate jewellery suitable for any occasion.
Allure! for March
and April 2011 features the work of....
HANNAH BEDFORD
Hannah Bedford
designs and makes a wide range of women’s jewellery, in silvers and golds.
Each piece is handcrafted from her studio at Cockpit Arts Deptford, in the
hub of south London’s creative community.
Hannah
Bedford’s jewellery designs explore texture and form using the traditional
processes of granulation and Keum-boo (fine gold fusing). Working in golds
and silver, Hannah creates a range of women’s jewellery, from bespoke
neckpieces through to delicate earrings and rings.
Collections
are inspired by organic growth patterns in the natural world. Hannah uses
gold fusing and granulation to create raised, textured surfaces that entwine
each piece and takes great care to work on the underside of a piece. The
work is often led by these technical explorations, using them to play with
scale, form and contrasting precious metals to create aesthetically
beautiful forms.
Since
graduating from Birmingham School of Jewellery with a first class honours
degree in 2004, she was selected for the Bishopsland Educational Trust (2004
– 2005) and the South Hill Park Arts Centre (2005 – 2007) residencies.
Hannah’s
jewellery is exhibited nationally and she has been represented at Collect
(2006 and 2007) and exhibited at Origin (2009).
All pieces are handcrafted at Hannah’s studio
at Cockpit Arts Deptford, in the hub of South London’s creative community.
Cellulose acetate 'Jetson' brooches with
sterling silver
Cellulose acetate
'Orbit' earrings with
sterling silver
Cellulose acetate 'Oval'
pendant
with sterling silver
Allure! for January
and February 2011 features the work of....
LESLEY STRICKLAND
Lesley is a British jeweller specialising in the use of
cellulose acetate (derived from cotton oil) combined with sterling silver.
The acetate can be layered into a wide range of patterns and can be
manipulated into far more fluid forms than other forms of plastics.
Lesley's passion for designing and making jewellery started in 1976 at The
City Literary Institute, London, England.
Since then she has continued to evolve and develop her
personal style. Her inspiration comes from weathered, natural forms and
sculptors of the 1950's. The final finish of each piece is important to
her as she likes the wearer to have a very tactile relationship with her
work.
Technique
Over
the last thirty years Lesley has developed many new manufacturing
techniques, either by modifying existing hand or industrial processes or
by inventing them from first principles. To achieve her goals she has
developed special methods of forming, polishing and matting the acetate.
The basic methods used are hand scraping, filing and sanding followed by
heat forming and polishing or matting techniques. Some pieces are
decorated with silver piqué whilst others combine acetate forms with
silver cast elements. Small batch quantities of each design are made and
each piece is individually hand crafted to a fine finish.
Allure! for
December 2010 featured the work of....
PAUL FINCH
Paul
Finch specialises in designing and making contemporary jewellery in silver,
18ct gold and other precious metals
His
innovative 'Trap' design incoporates a diamond or semi precious stone held
in the groove of a silver ring, or folded earring or pendant. The inside is
finished with contrasting gold plate.
These
items may be purchased from Pyramid Gallery by phoning 01904 641187
The full range may be viewed by
clicking here
to Paul Finch's own website
Jo is from the island of Guernsey. She studied Graphic Art in the UK at
the Bath Academy of Art. She then worked as a graphic designer for some
years before deciding to pursue her long held interest in jewellery design.
Annika was born in Belgium, of a Swedish mother and
Norwegian father, and spent every summer of her childhood returning to these
countries to visit relatives. Inspired by the crisp bold lines of these
landscapes and the diversity of modern and traditional designs there, Annika
draws strongly on her scandinavian roots for inspiration. A modern Stockholm
based apprenticeship followed by a top Degree in 3D Design, specialising in
Jewellery and Silversmithing, has moulded Annika's distinctive style, whilst
giving her an amazing array of skills from sinking to setting.
Before striking out on her own Annika gained valuable experience within the
trade, working first for a bullion dealers in Hatton Garden, and then for
contemporary jewellers Jess James in London.
Annika’s passion for jewellery means that she is continually broadening her
skills. In her quest to improve the breadth and quality of service on offer
she has, in more recent years, educated herself in the art of computer aided
design. This means that we can now produce lifelike renders and 3D images
for customers to view when commissioning more complex designs. Please view
the Matrix Gallery for examples of past commissions.
Awards
2006: Worshipful Co of Goldsmiths design commendation
Oct 03: Perles De Tahiti - UK Tahitian Pearl Competition
- 1st place Male Jewellery Category
- 3rd place Parure Category
Aug 97: New Zealand Wearable Art Competition Finalist, New Zealand
Jan 93: Swea Scholorship. Sponsors: Swedish Women’s Educational Association
Dec 92: Master Cutlers Book Prize for design. Sponsors: The Worshipful
Company of Cutlers
April 92: Highly Commended, Gold design Competition. Sponsors: The World
Gold Council
Dec 91: Award for design, Travel prize. Sponsors: The Worshipful Company of
Cutlers
June 91: 1st Prize Pewter Live Competition. Sponsors: The Worshipful Company
of Pewterers
Exhibitions
Sept 98-09 Yearly exhibitor at International Jewellery London (IJL) Earls
Court
Feb 99, 01, 03, 05 International Spring Fair, NEC Birmingham
May 00 Martin Hall Studio Exhibition, Brighton Festival
June/July 99 Jewellery Showcase, Yorkshire Sculpture Park, Wakefield
Feb/March 99 Wedding Ring Exhibition, Primavera Cambridge
May 98 Harrogate British Craft Trade Fair
Sept 97 'Showing Off' Marle Place, Tunbridge Wells, Kent
Apr 97 'Things that Fly' Exhibition, Skylark Studios, Wisbeck, Cambs
96-97 Exhibition of work at Serendipity Galleries, Anarcortes & LaConner,
Washington State USA
Nov 94-Feb 95 Exhibition of Jewellery & Silversmithing at Avalon, Mulberry
Fine Arts, B’ham
July 92 New Designers, The Business Design Centre London
Sept-Dec 91 Exhibition of Pewter work at Liberty's London
NATALIE HARRIS
Natalie completed a degree in Silversmithing and
Jewellery at Loughborough University in 2002 and went on to a years’
postgraduate course at Bishopsland Workshops near Reading.
Natalie then worked for an internationally renowned
jeweller in London before moving back to the Midlands in 2006. Soon after
Natalie moved into Banks Mill Studios in Derby, where her business is now
well established and continues to grow.
Design influence for Natalie’s work comes from the
rich, vibrant colours of the stones and beads chosen for their intrinsic
quality and character. It is imperative the stones natural beauty always
remains the focal point, for this reason Natalie usually finishes her
jewellery with a matt texture.
After leaving De Montford University with a BA (Hons) 2.1
degree in Jewellery and Silversmithing in 1989, Sally worked for various
jewellery designers to gain knowledge and experience in the jewellery field.
In 1995 she became self- employed working from a studio
space in 401 Wandsworth workshops in London making her own range of
jewellery, supplying her work in various outlets, galleries and exhibitions
abroad and in the UK.
At present along with developing her range of spoons and
tiaras she is making rope necklaces and ribbons with pearls. Fab and fun!
Perfect for any age
Kate trained at Stourbridge College of Art and Design before completing a
degree in Jewellery Design at Middlesex University.
After working with numerous other contemporary designer/makers whilst
living in London, she moved back to the Midlands to take inspiration from
her countryside surroundings of Shropshire and to set up her own jewellery
business in the heart of Birmingham's Jewellery Quarter.
Kate has been supplying Pyramid Gallery since 2002 with her diamond
studied silver and gold jewellery . In December 2006, a special display of
her work will feature in the shop window as our 'Jeweller of the Month',
under the banner Allure!
After leaving De Montford University with a BA (Hons) 2.1
degree in Jewellery and Silversmithing in 1989, Sally worked for various
jewellery designers to gain knowledge and experience in the jewellery field.
In 1995 she became self- employed working from a studio
space in 401 Wandsworth workshops in London making her own range of
jewellery, supplying her work in various outlets, galleries and exhibitions
abroad and in the UK.
At present along with developing her range of spoons and
tiaras she is making rope necklaces and ribbons with pearls. Fab and fun!
Perfect for any age
Sarah Chilia graduated from Birmingham School of
Jewellery with a First Class honours degree in Jewellery and Silversmithing
in 2003. Before that she had attended York College achieving a distinction
in BTEC HND Art and Design (crafts) in 1999. Born in York, Sarah has
established her jewellery design business here producing classic silver
rings, bangles and chokers and developing a range of intricate filigree
brooches, pendants and earrings in gold and silver. Her talents are also in
great demand as a designer and maker of special commissions via Pyramid
Gallery.
As well as producing her own jewellery, Sarah has
worked as a part time lecturer at York College and the Mount School and also
as sales assistant and jewellery consultant to Pyramid Gallery.
Originally trained at Glasgow School of Art, Linda and her
team design and create an extensive range of jewellery from Linda's home
village of Cardross near Loch Lomond in Argyll and Bute. Her designs are
always changing and developing as each piece is hand made. Work is now being
sold throughout Britain and overseas.
Graduated Camberwell School of Arts & Crafts, London 198
Exhibitions & Competitions:
1985 New Designer of the Year. House & Gardens New Designers Competition.
1990 Leeds City Art Gallery - September Showcase.
1990 Christies Contemporary Arts Gallery - Christmas Jewellery Show
1991 Christies Contemporary Arts Gallery - ‘Gilding the Lily’ joint show
1992 Open Eye Gallery - ‘Brooches’
1992 Hugo Barclay’s (Brighton)- Summer Show.
1992 New Ashgate Gallery - ‘Trees’ , multi artist/ media exhibition.
1992 The South Bank Christmas Show.
1992 Dazzle - National Theatre, London.
‘Dazzle’ is a touring jewellery show covering a number of venues each year.
1992 Gallerie Cebra, Düsseldorf - ‘Die Drei Broschen Oper’.
1993 Two artist show with Eve Summers at The Fire & Iron Gallery
1993 ‘And Noah Did Forget The Dinosaurs’ solo exhibition, Open Eye,
Edinburgh
1993 ‘Today’s Jewels - from Paper to Platinum’
Book and exhibition Lesley Craze Gallery, London - sponsored by The London
Arts Board
1993 ITV ‘Champions’ programme, challenged to design and make a pair of
earrings in one hour.
1993 ‘Fabulous Felines’ mixed media show at the Higher Street Gallery.
1993 Dazzle - Christmas shows in Manchester, Glasgow and London.
1994 Solo shows at:
John McKellar Gallery, Hereford
Roger Billcliffe Fine Art, Glasgow
Mid Pennine Arts Gallery, Burnley
1994 Group shows at:
Leeds City Art Gallery - Valentine show & Christmas show
Aberystwyth Arts Centre, Dyfed.
Lesley Craze Gallery 10th Anniversary + Barbican shows
Roger Billcliffe Fine Art Gallery, Glasgow - ‘Secrets’ & ‘Christmas Boxes’
New Ashgate Gallery, Farnham - with Carol Ann Sutherland, Jennifer Semmens,
and John Maltby.
1995 Dazzle at Glasgow, Edinburgh, Manchester, London
1995 Valentines Shows at -
Leeds City Art Gallery
Hugo Barclay - Brighton
Roger Billcliffe Fine Art - Glasgow
Design Yard - Dublin
Oriel Mostyn - Llandudno
1995 Christmas shows at -
Manchester Dazzle,
National Theatre Dazzle,
Leeds City Art Gallery,
Craze II,
Roger Billcliffe fine art,
Design Yard,
Collection Gallery
Celebrity list of purchasers and clients:
Dame Judy Dench
Juliet Stevenson
Sorcha Cusack
John Cleese
Nigel Kennedy
Isla Blair & Julian Glover
Cecilie Loveid (Playright )
Steve McMahon ( footballer )
Nick Hytner (director of stage and film )
Dr Liz Goring (curator/buyer for the National Museums of Scotland
Collection)
John Langley (National Theatre )
Adam Wakeman (Son of Rick Wakeman, and guitarist for Atomic Kitten and Annie
Lennox.)
Rick and Barbara Mayal
Tris Payne – T.V. presenter
Angus Walker – ITN UK Editor
(Back
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CARLO
GIOVANNI VERDA
Born in the Midlands,
Carlo studied at Mid-Warwickshire College of Further Education followed by a
3 year BA degree in Jewellery Design & Manufacture at Central School Of Art
& Design (1983 – 1986)
After several years at the Waterside Workshops in London Carlo set up a new
workshop in Warwickshire. 10 years and two children later in 2002 his wife
Joy persuaded him to move back to her home turf of East Riding. Amidst the
chaos of renovating the old High Street property they opened the Alex May
Gallery in August 2004.
Carlo now sells through gallery/shops including John Lewis & private
commissions. He has also undertaken corporate design work, teaching,
including lectures at the Victoria & Albert Museum. In 1997 he designed and
produced a range of jewellery for the V & A Museum.
Katharine studied jewellery making as part of an Art and Design course at
York College and then with York jeweller and enameller Rachel Gogerly, with whom
she worked as a workshop assistant.
In 2000 she worked as assistant to and gained valuable experience from Robert
Feather and now sells her own range of jewellery through Pyramid Gallery.Katharine’s eye-catching jewellery is inspired by organic forms,
observing nature in its skeletal state, then breaking it down to its essence.
She uses a variety of finishes - polished, barelled, satin and oxideised - to
create feminine and delicate jewellery suitable for any occasion.
Laura Baxter makes precious jewellery, wall panels and
decorative metal screens inspired by botanical forms.
Twigs, buds, blossom and leaf structures are abstracted and
magnifi ed in different scales to create graphic silhouettes of nature. The work
refl ects how plants change and grow throughout the seasons and explores
intricate patterns found in plant life using light and shadow. All work is
designed and hand fabricated by Laura Baxter from precious metal sheet and wire.
Each piece of work is unique and given an issue number and hallmarked by the
Assay Offi ce in Scotland. Designs are made in silver and 18ct gold to
commission, as one-off pieces or as limited edition batch production ranges.
The creative process excites and stimulates me to produce work
which is a sensitive response to the demand for distinctive, affordable
jewellery, therefore, fulfilling the clients needs is critical and attention to
detail ensures excellence in a piece that looks and feels right.
The jewellery is inspired by natural forms and unites sensuous smooth shapes
with highly textured surfaces. It is characterised by the contrasting use of
different metal colours, finishes and interchangeable components.
The one-off pieces have a dialogue with the production work resulting in a
dynamic and complementing relationship.
Born:
1968 Tunbridge Wells, England, UK
Education:
1991-93 MA Goldsmithing, Silversmithing, Metalwork and Jewellery, Royal College
of Art
1987-91 BA Hons Jewellery, Middlesex University 1st class
I trained as a diamond mounter at the School of Jewellery in
Birmingham, and once qualified began my career at a jewellers in Bath. I later
moved to France for a while, which is where I met my husband, Paul. We returned
to England and I found employment at a jewellery workshop in Sussex, where I
gained much valuable experience. In 1992 we moved to Wiltshire, and I set up my
own studio.
I love making jewellery and I hope that this shows in my work. Much of my
inspiration comes from the Wiltshire countryside, and especially from Salisbury
Plain and the wonders of the stone circles at Stonehenge and Avebury. I am drawn
towards the ancient jewellery that has been revealed in Wiltshire burial mounds,
and also to the work of Egyptian, Roman and medieval times. I hope I express
similar beauty, excitement and craftsmanship in my own work.
Each piece has an 18ct gold
bead etched with 'the spirit' which moves
freely on 3mm round silver wire.
Silver Rings
Silver Rings-
plain or with a tiny diamond - from £89.
Rings with precious stones incorporated into the text - silver from £150.
Rings with Semi Precious Stones
Rings with semi-precious stones such as peridot, citrine, iolite, tourmaline
and garnet - silver from £111.
'The Feeling of We', silver with gold etch
'In Heaven on Earth', silver with oxidised writing
Silver ring with spinning gold bead
'In Heaven on Earth' narrow ring
AND ON rings:
'And on and on'
is a motif that forms the basis for several designs of rings, earrings and
bangles. The words are etched into the ring and decorated either by
black oxidisation of 22ct gold plate. Prices from £89 for silver.