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Saturday 29 JANUARY until 28 APRIL 2011 (scroll
down)

contemporary rings by British
designer jewellers
SHIMARA
CARLOW KAREN THOMAS
HANNAH
WAIN MALCOLM MORRIS SALLY RATCLIFFE
Started 29th
Jan, continues until 28 April 2011 |
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| pictures below are of some of the displays.
More to follow...... |
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Disa Allsopp
DA1 oxidised silver and 18ct
gold £482.90 |
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Disa Allsopp
DA19 oxidised silver and
£244.75 |
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Kate Moncrieff
KM63 18ct gold Diamond £1169.75 |
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Kate Moncrieff
KM62 18ct gold Diamond £1169.75 |
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Disa Allsopp
DA12 18ct gold Garnet
£1199.75 |
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Disa Allsopp
DA13 18ct gold Beryl£11324.75 |
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Natalie Jane Harris
NJH64 18ct gold
Sapphire £629.50 |
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Shimara Carlow
SCAR354 18ct gold Diamonds
£1999.75 |
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Faith Tavender
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Karen Thomas |
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Hannah Wain |
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Rosie Bill |
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Naomi James
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Kate Moncrieff
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Marianne Anderson
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Alexis Dove
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Martina Fabian

Window display 1
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Martina Fabian

Window display 2 |
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Natalie Jane Harris

Window display 3 |
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Shimara Carlow

Window display 4 |
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Window display 5
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Disa Allsopp |
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Disa Allsopp |
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Pamela Dickinson
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Sally Ratcliffe |
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Paul Finch |
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PAMELA DICKINSON Floret ring 18ct white
gold |
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PAMELA DICKINSON
'Flow' ring set, 18ct gold |
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ALEXIS DOVE 22ct gold diamond stacking
rings

NATALIE HARRIS 18ct gold and diamond
eternity ring |
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ALEXIS DOVE 18ct gold sapphire

NATALIE HARRIS Silver and 18ct gold
and diamond |
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ANNIKA RUTLIN Idun collection

NATALIE HARRIS Silver and 18ct gold
and aquamarine |
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NATHALIE HARRIS 18ct gold and diamond
eternity ring

NATALIE HARRIS Silver rings
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9ct gold rings by Les Grimshaw |
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Silver tourmaline ring Les Grimshaw |
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9ct gold ring set with diamond by Les
Grimshaw |
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Silver ring with rose quartz by
Martina Fabian |
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Silver ring with Labradorite in gold
setting by Martina Fabian |
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Silver ring with rose quartz by
Martina Fabian |
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Gold wrap ring by Shimara
Carlow |
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Oxidised Silver wrap ring with gold
daisies by Shimara Carlow |
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Set of 3 18ct gold daisy rings with
diamonds by Shimara Carlow |
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Silver ring with labradorite in 18ct
gold setting by Naomi James |
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Silver ring 18ct gold setting by
Naomi James |
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Silver ring with marquise labradorite
in 18ct gold setting by Naomi James |
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Back to Top
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SHIMARA CARLOW Born in a
remote coastal area in West Cork, Southern Ireland in 1979,
a childhood fascination for collecting shells, stones, mermaids purses’,
feathers and pods found along the sea shore has been the inspiration
for my work.
While studying at Glasgow School of Art, I experimented with hand made
paper and silver as mediums for creating large sculptural pieces of
jewellery and smaller silversmithing pieces. My work has always been very
tactile and organic and the use of paper enhances this tactility and also
brings a light translucent quality to the pieces.
I began a residency at Bishopsland Workshops in South Oxfordshire in 2002,
where I spent two years. I used the opportunity to experiment with larger
scale silversmithing and to develop a range of silver and 18ct gold
jewellery.
My silversmithing range is all based on pod vessels; I create small and
large
pod vessels, bowls, vases and tableware. I use fine silver and 24ct gold to
create these pieces, which are all hand raised, from flat sheets of metal.
I use hammers and mallets to add surface texture and decoration to the
pieces, and acid to take the silver surface back to its natural white state.
The vessels are constructed to be free standing and off centre, giving them
a fluid natural quality.
Following a recent trip to Australia, I have created new ranges of both
silversmithing and jewellery inspired by my visit. These include "gum nut";
clusters of small pod and leaf vessels using 18ct gold, fine silver,
oxidised
silver and gold plate.
My jewellery has been inspired by natural forms, primarily seedpods and I
have created a body of work based on pod like structures. I use silver,
18 carat gold, silk paper and gum nuts to create my jewellery. Collections
include "Daisy", Acorn Cup", " Acorn Cup Wrap" and "Silver Acorn Cup Wrap".
These pieces are constructed from individual acorn cup and daisy units
assembled to create both large and small scale pieces of jewellery. The cups
are assembled to hang in long articulated chains or set in to intricate wire
structures that adorn the body.
New jewellery collections include "gum nut", neckpieces, rings and earrings
constructed from both silver and real gum nuts; "picture", a selection of
pendants and brooches using wrapped wire and small acorn cups assembled
in a silver frame; "honesty", whitened and reticulated silver ovals, which
resemble honesty leaves, constructed in to long articulated neckpieces and
bracelets. I have also developed both my silver and my 18 carat gold
"wrap rings" to include precious stones such as diamonds, pink sapphire,
aquamarine and pink and green tourmaline.
Back to Top
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Back to Top
KAREN THOMAS
Karen Thomas is a jewellery designer and maker,
originally from the Midlands, who has been living and working in York
for over ten years. She graduated from the Birmingham School of
Jewellery (UCE) in 1998 with a BA(hons) degree in Jewellery and
Silversmithing. She has worked in a busy trade workshop and taught
jewellery making at a local college and school, while also producing her
own designs. She now concentrates solely on creating her beautiful,
wearable ranges of jewellery, limited editions, one off pieces and
commissions. She uses traditional jewellery making techniques; mainly
working in silver, sometimes in gold. She sells her work through
galleries across the country.
"I love the process of creating functional,
wearable pieces of jewellery, be it constructing a mount for an unusual
stone or handcrafting a master, making a mould and running off waxes in
order to generate cast units so I can produce ranges of silver jewellery
that are affordable."
"My designs are inspired by the world around
me. Whilst studying in Birmingham many of my pieces echoed the cities
industrial past. Now in North Yorkshire I take inspiration from the
landscape and its colours. I am particularly drawn to the natural forms
of the dramatic North East coastline. This is clearly evident in my
Silver Shell Collection which comprises four ranges created with solid
silver castings made using moulds of actual shells. In contrast, living
in the beautiful, historic city of York has also had an impact on my
work, some of my designs reflecting the shapes and forms seen in the
magnificent architecture
Back to Top
NAOMI JAMES
Naomi was born and educated
in Sussex. She graduated in Jewellery at Middlesex Polytechnic and then
worked as an assistant technician at the Royal College of Art. After two
years as a self employed jeweller working at Jess James, W1, she travelled
in Thailand, Borneo, Indonesia, New Zealand, Australia, India and Nepal.
Since then she has worked as a self employed jeweller, and was manager of
the National Theatre Dazzle exhibition in 2001 and 2002.
Naomi has worked in a variety of materials since she started making
jewellery at the age of 14. She has always designed as she works, allowing
the making process to inspire the final design. Most of the pieces are made
using simple hand tools and she enjoys the fact that a lot of her jewellery
can still be made in this way.
She has frequently used embossing in her work. Earlier designs involved
piercing patterns into stainless steel which was then rolled with silver.
Recent work began with picking up feathers in the park with her young son –
she found that despite their delicate appearance they could be transformed
into a solid form by embossing into silver. She then experimented further
with dried flowers, leaves and leaf skeletons and found that an amazing
amount of detail was picked up on the silver, which she then complemented
with touches of 18 carat gold. Some designs include coloured semi-precious
stones.
Other elements of her work have evolved through experimentation with the
textures that can be achieved with hammering metal. She uses a variety of
hammers to create surfaces and marks that alter the way light is reflected.
She likes the feeling that the metal appears to have been aged by beating it
with a rusty hammer – like something that may have been dug up.
EXHIBITIONS
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1990-
2008 |
Annual Dazzle
exhibitions at:
London (National Theatre), Glasgow, Manchester, Edinburgh, Brighton |
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2008 |
Focus Case - Dundee
Contemporary Arts;
Rare Find - New Ashgate Gallery, Farnham |
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2007 |
Origin - The London
Craft Fair |
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2005 |
Pyramid Gallery, York;
The Craft Centre,
Leeds City Art Gallery |
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2003 |
The Gowan Gallery;
Mike Gell, Hereford |
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2002 |
Broughton Gallery;
Rufford Craft Centre; Wrexham Arts Centre |
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2001 |
Gracefield Arts Centre;
20/21 Gallery, Scunthorpe; Yorkshire Sculpture Park;
The Craft Centre, Leeds City Art Gallery |
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2000 |
Contemporary Craftsman,
Monmouth |
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1998 |
Paddon & Paddon,
Eastbourne |
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1997 |
Wrexham Arts Centre;
Shire Hall, Stafford; “Silver Darlings” Bonhoga Gallery |
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1996 |
Prima Vera, Cambridge |
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1995 |
“6 of Hearts”, Hugo
Barclay, Brighton |
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1994 |
John
McKellar, Hereford;
Maidstone Museum & Art Gallery |
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1993 |
Pyramid Gallery, York |
Back to Top
MARTINA
FABIAN
I was born
in Germany and undertook an apprenticeship to become a Goldsmith. After this
I studied Metalwork and Jewellery in Hildesheim, Germany. I have lived and
worked in Oxfordshire, England, since 1998.
My work is inspired by nature. The offset position - the placing of the
stone setting or a pearl - also plays an important part in my jewellery. I
work mainly in silver with a structured rough surface and gemstones set in
gold as a fine contrast.
Whatever catches my eye inspires my work - purely for the pleasure and joy
it gives when designing, making and wearing jewellery.
Back to Top
ANNIKA RUTLIN
Annika was born in Belgium, of a
Swedish mother and Norwegian father, and spent every summer of her childhood
returning to these countries to visit relatives. Inspired by the crisp bold
lines of these landscapes and the diversity of modern and traditional
designs there, Annika draws strongly on her scandinavian roots for
inspiration. A modern Stockholm based apprenticeship followed by a top
Degree in 3D Design, specialising in Jewellery and Silversmithing, has
moulded Annika's distinctive style, whilst giving her an amazing array of
skills from sinking to setting.
Before striking out on her own Annika gained valuable experience within the
trade, working first for a bullion dealers in Hatton Garden, and then for
contemporary jewellers Jess James in London.
Annika’s passion for jewellery means that she is continually broadening her
skills. In her quest to improve the breadth and quality of service on offer
she has, in more recent years, educated herself in the art of computer aided
design. This means that we can now produce lifelike renders and 3D images
for customers to view when commissioning more complex designs.
Awards
2006: Worshipful Co of Goldsmiths design commendation
Oct 03: Perles De Tahiti - UK Tahitian Pearl Competition
- 1st place Male Jewellery Category
- 3rd place Parure Category
Aug 97: New Zealand Wearable Art Competition Finalist, New Zealand
Jan 93: Swea Scholorship. Sponsors: Swedish Women’s Educational Association
Dec 92: Master Cutlers Book Prize for design. Sponsors: The Worshipful
Company of Cutlers
April 92: Highly Commended, Gold design Competition. Sponsors: The World
Gold Council
Dec 91: Award for design, Travel prize. Sponsors: The Worshipful Company of
Cutlers
June 91: 1st Prize Pewter Live Competition. Sponsors: The Worshipful Company
of Pewterers
Exhibitions
Sept 98-09 Yearly exhibitor at International Jewellery London (IJL) Earls
Court
Feb 99, 01, 03, 05 International Spring Fair, NEC Birmingham
May 00 Martin Hall Studio Exhibition, Brighton Festival
June/July 99 Jewellery Showcase, Yorkshire Sculpture Park, Wakefield
Feb/March 99 Wedding Ring Exhibition, Primavera Cambridge
May 98 Harrogate British Craft Trade Fair
Sept 97 'Showing Off' Marle Place, Tunbridge Wells, Kent
Apr 97 'Things that Fly' Exhibition, Skylark Studios, Wisbeck, Cambs
96-97 Exhibition of work at Serendipity Galleries, Anarcortes & LaConner,
Washington State USA
Nov 94-Feb 95 Exhibition of Jewellery & Silversmithing at Avalon, Mulberry
Fine Arts, B’ham
July 92 New Designers, The Business Design Centre London
Sept-Dec 91 Exhibition of Pewter work at Liberty's London
Back to Top
KATHARINE YELLAND

Katharine studied jewellery making as part of an Art and Design course at
York College and then with York jeweller and enameller Rachel Gogerly, with whom
she worked as a workshop assistant.
In 2000 she worked as assistant to and gained valuable experience from Robert
Feather and now sells her own range of jewellery through Pyramid Gallery.Katharine’s eye-catching jewellery is inspired by organic forms,
observing nature in its skeletal state, then breaking it down to its essence.
She uses a variety of finishes - polished, barelled, satin and oxideised - to
create feminine and delicate jewellery suitable for any occasion.
Back to Top
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TR6 silver Trap ring with gold plate and
.10 carat diamond

TR8 silver ring with gold plate and tiny
diamonds

TR4 with 10pt diamond and TR9 plain
silver ring

TP7 above and below: silver Trap pendant
with gold plate and .10 carat diamond

Hammered pendant range, HP9
gold details and diamond
 Trap studs silver, gold plate and
diamond
 18ct Hammered gold ring with .10 carat
diamond
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Allure! for
December 2010 featured the work of....
PAUL FINCH

Paul
Finch specialises in designing and making contemporary jewellery in silver,
18ct gold and other precious metals
His
innovative 'Trap' design incoporates a diamond or semi precious stone held
in the groove of a silver ring, or folded earring or pendant. The inside is
finished with contrasting gold plate.
These
items may be purchased from Pyramid Gallery by phoning 01904 641187
The full range may be viewed by
clicking here
to Paul Finch's own website Back to Top |
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